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Vintges, K. (2011). Freedom and Spirituality. In D. Taylor (Ed.), Michel Foucault: key concepts (pp. 99-110). Acumen Press. https://doi.org/10.1017/UPO9781844654734.008 -
van Weyenberg, A. (2011). Staging transition: the Oresteia in post-apartheid South Africa. In M. Bal, & M. Á. Hernández-Navarro (Eds.), Art and visibility in migratory culture: conflict, resistance, and agency (pp. 69-90). (Thamyris, intersecting: place, sex, and race; No. 23). Rodopi. http://www.ingentaconnect.com/content/rodopi/tham/2011/00000023/00000001/art00005 -
Laine, T. (2011). Imprisoned in disgust: Roman Polanski's Repulsion. Film-Philosophy, 15(2), 36-50. http://film-philosophy.com/index.php/f-p/article/view/275 -
Vis, J. (2011). Synchrony in diachronic analysis: the interpretation of <w> in Mycenaean Greek. In E. Kitis, N. Lavidas, N. Topintzi, & T. Tsangalidis (Eds.), Selected papers from the 19th International Symposium on Theoretical and Applied Linguistics: Thessaloniki, 3-5 April 2009 (pp. 481-490). Monochromia Publishing. -
Bolten, J. (2011). De verbeelding van de beelddrager: David Jablonowski's ontleedkunst. Esthetica : Tijdschrift voor Kunst en Filosofie, 2011. http://www.estheticatijdschrift.nl/magazine/2011/recensies/de-verbeelding-van-de-beelddrager-david-jablonowski%E2%80%99s-ontleedkunst -
Kok, E. (2011). Zonder vrienden geen carrière: de succesvolle loopbanen van de zeventiende-eeuwse kunstenaars Govert Flinck en Ferdinand Bol. Zeventiende Eeuw, 27(2), 300-336. http://www.de-zeventiende-eeuw.nl/index.php/dze/article/view/1553
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