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Zack, L. (2012). Li‘b al-manār, an Egyptian shadow play: some comments on orthography, morphology and syntax. In J. den Heijer, P. La Spisa, & L. Tuerlinckx (Eds.), Autour de la langue arabe: études présentées à Jacques Grand'Henry à l'occasion de son 70e anniversaire (pp. 333-351). (Publications de l'Institut orientaliste de Louvain; No. 61). Université catholique de Louvain, Institut orientaliste. -
Bouwer, F., & Honing, H. (2012). Rhythmic regularity revisited: Is beat induction indeed pre-attentive? In E. Cambouropoulos, C. Tsougras, P. Mavromatis, & K. Pastiadis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music: July 23-28, 2012, Thessaloniki, Greece (pp. 122-127). Aristotle University of Thessaloniki. http://icmpc-escom2012.web.auth.gr/files/papers/122_Proc.pdf -
van de Leur, W. (2012). ’Pure jazz’ and ‘charlatanry’: a history of De Jazzwereld Magazine, 1931-1940. Current Research in Jazz, 4. http://www.crj-online.org/v4/CRJ-Jazzwereld.php -
van der Laarse, R. (2012). Laat Auschwitz beginpunt van nieuwe toekomst zijn. Reformatorisch dagblad, 6-7. http://www.refdag.nl/opinie/laat_auschwitz_beginpunt_van_nieuwe_toekomst_zijn_1_618157 -
van Dijk, Y. (2012). In defense of meaning: Roberto Simanowski close reads digital art [Review of: R. Simanowski (2011) Digital art and meaning: reading kinetic poetry, text machines, mapping art, and interactive installations; R. Simanowski, J. Schäfer (2010) Reading moving letters: digital literature in research and teaching]. Electronic Book Review, 2012. http://www.electronicbookreview.com/thread/electropoetics/digireading
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