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Aioanei, A. C., Klein, J., Klein, K. M., Hunziker-Rodewald, R. R., & Michels, D. L. (2024). DeepHadad: Enhancing the Readability of Ancient Northwest Semitic Inscriptions. In M. Corsini, D. Ferdani, A. Kuijper, & H. Kutlu (Eds.), Eurographics Workshop on Graphics and Cultural Heritage The Eurographics Association. https://doi.org/10.2312/gch.20241242 -
Aboh, E. O. (2024). D is not a syntactic primitive. In A. Himmelreich, D. Hole, & J. Mursell (Eds.), To the left, to the right, and much in between: A Festschrift for Katharina Hartmann (pp. 3-26). Goethe-Universität. https://doi.org/10.17605/OSF.IO/3FX4M -
Buelens-Terryn, M., & Smits, T. (2024). Projecting the world: The mediated geography of the projection lantern in Belgium c.1900-c.1920. Journal of Historical Geography, 86, 403-421. https://doi.org/10.1016/j.jhg.2024.10.007 -
Engelberg, J. F. (2024). Call Me Bi Any Other Name: Anal Monstration, Formal Bisexualization, Gay Indigestion. In E. Lamberti, & M. Williams (Eds.), Call Me by Your Name: Perspectives on the Film (pp. 198-224). (Trajectories of Italian Cinema and Media). Intellect. https://doi.org/10.1386/9781789389425_12 -
van Doorn, N., & Vijay, D. (2024). Gig work as migrant work: The platformization of migration infrastructure. Environment and Planning A, 56(4), 1129–1149. https://doi.org/10.1177/0308518X211065049 -
Telford, A. (2024). [Review of: A. Tucker (2020) Democracy against liberalism: Its rise and fall]. Eurasian Geography and Economics, 65(4), 561-562. https://doi.org/10.1080/15387216.2022.2076708 -
Pape, T. (2024). The Aesthetics of Stealth: Digital Culture, Video Games, and the Politics of Perception. The MIT Press. https://doi.org/10.7551/mitpress/15539.001.0001 -
Plutino, A. (2024). Color systems for motion picture film digitization: A critical review. Color Research and Application, 49(6), 609-617. https://doi.org/10.1002/col.22946
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