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de Vos, L. (2015). Always Looking Back at the Voyeur: Jan Fabre’s Extreme Acts on Stage. In G. Rodosthenous (Ed.), Theatre as Voyeurism: The Pleasures of Watching (pp. 29-49). Palgrave Macmillan. https://doi.org/10.1057/9781137478818_2
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Forceville, C. (2015). [Review of: A. Honess Roe (2013) Animated Documentary]. Journal of Pragmatics, 89, 66-68. https://doi.org/10.1016/j.pragma.2015.09.008
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van Doorn, N. (2015). Forces of Faith: Endurance, Flourishing, and the Queer Religious Subject. GLQ, 21(4), 635-666. https://doi.org/10.1215/10642684-3123725
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Chiaravalloti, F. (2015). Understanding artistic performance in its context: A case study of the practice of evaluation in a publicly funded opera company. In 5th workshop on 'Managing Cultural Organisations', Bologna, Italy, December 14-15, 2015: accepted papers European Institute of Advanced Studies in Management. http://www.eiasm.org/frontoffice/event_download.asp?item=DOWN&event_id=1131
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Honingh, A., Panteli, M., Brockmeier, T., López Mejía, D. I., & Sadakata, M. (2015). Perception of timbre and rhythm similarity in Electronic Dance Music. Journal of New Music Research, 44(4), 373-390. https://doi.org/10.1080/09298215.2015.1107102
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