| Creators |
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| Publication date |
2024
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| Description |
Interview with visual artist Nicholas Pope in his studio in Much Marcle, Herefordshire, about the making, materials and context of his 1986 sculpture The Church, the Village and Myself, owned by the Kröller-Müller Museum. The interview was prompted by research project POPE: Resin Bleed, about the nature and conservation possibilities of the resin bleed of the sculpture. Discussed is his vision on alterations and deterioration of his work and of this sculpture in particular. Also some other works owned by the Kröller-Müller Museum are discussed.
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| Publisher |
DANS Data Station Social Sciences and Humanities
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| Organisations |
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Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Heritage, Memory and Material Culture (AHM)
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| Document type |
Dataset
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| DOI |
https://doi.org/10.17026/ss/z1mf2n |
| Other links |
https://ssh.datastations.nl/citation?persistentId=doi:10.17026/SS/Z1MF2N
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