Dynamic art technological sources for contemporary works: the artist interview and the installation process
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| Publication date | 2014 |
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| Book title | Making and Transforming Art: Technology and Interpretation |
| Book subtitle | proceedings of the fifth symposium of the ICOM-CC Working Group for Art Technology Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22-23 November 2012 |
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| Event | International Symposium of the ICOM-CC Working Group on Art Technological Source Research, Brussels |
| Pages (from-to) | 147-148 |
| Publisher | London: Archetype Publications |
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| Abstract |
The artist interview has become an important resource for the conservation of contemporary art. The installation of an artwork in collaboration with the artist is an even more valuable research tool. However, as with the artist interview, it needs critical assessment, because first-hand information is gained but also co-constructed. Different ways of presenting the artwork can be explored in dialogue with the artist, as was experienced with Jan Dibbets’ conceptual and variable artwork 'All shadows that occurred to me in… are marked with tape' (1969) in the collection of the Kröller-Müller Museum.
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| Document type | Conference contribution |
| Language | English |
| Related dataset | Interview Jan Dibbets over All Shadows… 22 november 2011 Interview Jan Dibbets over All Shadows… 7 oktober 2012 |
| Other links | https://archetype.co.uk/our-titles/making-and-transforming-art/?id=214 |
| Downloads |
MTA-27-Stigter-v2
(Final published version)
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