Top Hat et l’intermédialité de la comédie musicale
| Authors |
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|---|---|
| Publication date | 1994 |
| Journal | Cinémas |
| Volume | Issue number | 5 | 1-2 |
| Pages (from-to) | 211-220 |
| Number of pages | 10 |
| Organisations |
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| Abstract | The musical comedy Top Hat by Mark Sandrich (1935) was one of the most successful films in United States. While the use of genre conventions and the presence of American social norms undoubtedly contributed to its success, the author of this text shows that the film's media structures also played a detetmining role in the film's reception, analyzing the work from the point of view of its mediality and its intermediality. |
| Document type | Article |
| Language | French |
| Published at | https://doi.org/10.7202/1001014ar |
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