The showability of policing How police officers’ use of videos in organizational contexts reproduces police culture

While much scholarly literature on police ‘canteen’ culture focuses on police storytelling, there is little research on the effects of camera phone technologies on police behaviours, particularly in organizational settings. This article introduces the concept of showability to examine how police officers use videos in their everyday police life, and how this relates to police culture. Based on an ethnographic study of the Dutch police, it illustrates that officers show, share, and discuss videos of various policing acts such as arrests, car chases, and use-of-force events, and do this in various locations such as office spaces, squad cars, and on the streets. First and foremost, officers show videos to entertain and to educate themselves and their fellow officers. Second, showing videos is a new occupational practice that, like in telling stories, reinforces and refutes aspects of police culture, for instance, a masculine ethos. The article contributes to criminological scholarship on the era of ‘new visibility’ by demonstrating that showability is a form of inward visibility wherein officers generate a visual world that fits their professional vision. It also contributes to a sociological understanding of the ‘everydayness’ of police culture. I claim that showability is a key feature of policing practices, which is relevant in light of increasing pressures on the police to account for their work.