Ecological Time Natures that Matter to Activism and Art
| Authors | |
|---|---|
| Publication date | 03-2021 |
| Journal | APRIA |
| Volume | Issue number | 3 | 2 |
| Pages (from-to) | 166-183 |
| Number of pages | 18 |
| Organisations |
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| Abstract |
The term ‘Anthropocene’ brings together a range of interrelated
ecological catastrophes and relates human history to the time scales of
the earth. While dominant modes of thinking maintain technocratic
notions of nature and time, art has (re)presented alternative proposals
and practices that radically shift perception. To foreground and
strengthen the power of art to challenge core cultural assumptions and
motivate change, this text maps out the implications of philosophical
positions often referred to by artists. I consider the ideas of Donna
Haraway, Bruno Latour, Andreas Malm, Naomi Klein and T. J. Demos, and
perform a more in-depth inquiry of the aesthetics proposed by Timothy
Morton. Two works of art are at the beginning and at the end of this
inquiry: Progress vs. Regress (Progress II) and Nocturnal Gardening, both by Melanie Bonajo. A material sense of time appears to be pivotal for art as an agent of change.
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| Document type | Article |
| Note | In special issue: Time Matters. |
| Language | English |
| Published at | https://doi.org/10.37198/APRIA.03.02.a18 |
| Published at | https://apria.artez.nl/ecological-time/ |
| Downloads |
Apria_Monique_Peperkamp_Time_Matters_Ecological_Time_Natures_that_Matter_to_Activism_and_Art
(Accepted author manuscript)
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(Final published version)
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