The 21st-Century Post-Cinematic Ecology of the Film Museum Theorizing a Film Archival Practice in Transition - A Dialogue

Open Access
Authors
Publication date 2020
Host editors
  • D. Chateau
  • J. Moure
Book title Post-Cinema
Book subtitle Cinema in the Post-art Era
ISBN
  • 9789463727235
ISBN (electronic)
  • 9789048551941
Series The Key Debates: Mutations and Appropriations in European Film Studies
Chapter 7
Pages (from-to) 129-141
Number of pages 13
Publisher Amsterdam: Amsterdam University Press
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
Abstract
Contributing to the cinema death topic while focusing on national film institutes, Giovanna Fossati and Annie van den Oever observe that, while it can be said that processes of digitalization (which raise the question as to whether the notion of film is still relevant in this new technological context) have deeply affected the world of film and cinema, some of the film institutes remain – an index of the cinema persistence. Digitalization concerns reproduction and creation. The exchange of views between Fossati and Van den Oever provides a useful perspective on the issue of digital archiving. It also deeply enriches the idea of post-cinema, more precisely, the idea of “a new post-cinematic ecology.”
Document type Chapter
Language English
Published at https://doi.org/10.5117/9789463727235
Published at https://www.jstor.org/stable/pdf/j.ctv1b0fvtp.11.pdf
Other links https://www.aup.nl/en/book/9789463727235/post-cinema
Downloads
j.ctv1b0fvtp.11 (Final published version)
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