Le mécanoïde et l'androïde: deux faces du mythe futuriste dans le cinéma d'avant-garde des années vingt
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| Publication date | 2002 |
| Journal | Cinémas |
| Volume | Issue number | 12 | 3 |
| Pages (from-to) | 33-51 |
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| Abstract | This article examines the ways in which the Futurist adoration of the machine found expression in the cinema. Two tendencies are distinguished : first, that of the machine as machine, as a non-human invention that can become charged with symbolic meaning (from the eroticism of Charles Dekeukeleire’s Impatience to the proletarian revolution in S.M. Eisenstein’s Strike ) ; and second, that of the new machine as a new being with a human form which quickly becomes a threat to its creator. |
| Document type | Article |
| Language | French |
| Published at | https://doi.org/10.7202/000734ar |
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