Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series
| Authors | |
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| Publication date | 03-2025 |
| Journal | Critical Studies in Television |
| Volume | Issue number | 20 | 1 |
| Pages (from-to) | 93-117 |
| Number of pages | 25 |
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| Abstract |
Considering the implications of Netflix’s role as a content producer for cultural diversity in Europe, this methodological article investigates how to define and measure the locality of Netflix Originals. We employ a threefold methodological study based on industry data analysis, audience reception research, and content analysis. This replicable and scalable methodological design provides a solid analytical framework for future studies examining Netflix Originals from the normative perspective of cultural diversity. Demonstrating the steps of our exploratory study, we also find that Netflix’s locally-produced but globally-oriented content uses culture as window dressing, warranting further research.
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| Document type | Article |
| Language | English |
| Published at | https://doi.org/10.1177/17496020241235579 |
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