| Abstract |
This dissertation explores how both past and modern practices respond to the introduction of new technology, such as the uptake, use and transmission of the potter’s wheel in the Late Bronze Age Aegean, and the nature of the adoption and application of new (digital 3D) technology in a distinct visualisation tradition in archaeology. A newly developed methodology that draws from reflexive and praxeological approaches enables to critically analyse current archaeological practice and to assess to what extent it has changed or has adapted to meet digital 3D visualisation standards.
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