The changing face of the dodo (Aves: Columbidae:Raphus cucullatus) iconography of the Walghvogel of Mauritius
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| Publication date | 2022 |
| Journal | Historical Biology |
| Volume | Issue number | 34 | 4 |
| Pages (from-to) | 648-657 |
| Number of pages | 10 |
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| Abstract |
The dodo (Raphus cucullatus) was a large, flightless pigeon
endemic to the island of Mauritius (Indian Ocean). Its unusual
appearance was recorded in several 17th-century depictions of live or
recently killed birds. It became extinct at the end of the 17th century,
and in some subsequent accounts, it was even considered as
non-existent. Dodo images became rare from the mid-17th century, but its
inclusion in Lewis Carroll’s Alice’s Adventures in Wonderland
initiated a change, establishing it as an icon to a much wider public.
Since then, illustrations of dodos have been used in all kinds of media,
arguably making it the most iconic extinct bird. Here we analyse how
the dodo image evolved from 1600 to 2013, using 2D-geometric
morphometrics. Our results show that in particular cartoons, animations
and logos tend to put an extreme emphasis on the bulging anterior part
of the beak, and that the beak is strongly hooked. The variation in dodo
images has increased since 1865, culminating in an explosion of shapes
during the past decades. The often exaggerated, cartoonesque depiction
of the dodo is in line with the long-held but incorrect popular belief
that it was a clumsy, tragic bird destined for extinction.
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| Document type | Article |
| Language | English |
| Published at | https://doi.org/10.1080/08912963.2021.1940996 |
| Other links | https://www.scopus.com/pages/publications/85111662106 |
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