Improvisation versus reproduction, India and the world

Authors
Publication date 2008
Journal New Sound
Volume | Issue number 32 | 2
Pages (from-to) 68-78
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
Abstract
India has been particularly resistant to the infiltration of Western culture. Conversion to Christianity has been quite ineffective, and many other Western ideas, values and institutions have only been appropriated to a limited extent. Music is no exception and over the past centuries a controversy has arisen about the superiority of Indian versus Western music. Indian musicians and musicologists have championed improvised music as part of a living oral tradition, whereas Western music has been derided as a dead tradition of replicating written scores. This discourse may be seen as a reaction to earlier attempts of ‘proving’ the superiority of Western music with its imposing symphonic orchestras. At the same time, Indian music (and jazz) may well have been instrumental in the ‘rediscovery’ of improvisation in Western classical music.
Document type Article
Published at http://www.newsound.org.rs/clanci_eng/6.%20Wim_van_der_Meer.pdf
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