Double Trouble: Replicas in Contemporary Art and Their Impact in Conservation Decision-making

Open Access
Authors
  • A.M. Soulioti
  • M. Chatzidaki
Publication date 2022
Journal Studies in Conservation
Volume | Issue number 67 | 1-2
Pages (from-to) 21-29
Number of pages 9
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Heritage, Memory and Material Culture (AHM)
Abstract

Contemporary art conservation is constantly facing challenges relating to materials of poor stability that artists incorporate in their practice, the obsolescence of technological elements within artworks, as well as the multitude of ethical issues that these artworks raise. With the conceptual aspect of artworks often being given emphasis, questions about what values exist within the context and content of the artwork, its universe, is becoming critically important. These questions have become even more complicated since the introduction of replicas created with the use of digital reproduction tools; 3D scanning, 3D printing, digital image capturing and reproduction, and wiki-style documentation methods. Using philosophical frameworks, an attempt is being made to clarify what form replicas of contemporary artworks can take and what conservators should be aware of. The analysis of the values associated with these replicas is illustrated by three case studies; street art, a time-based media artwork, and the work of an artist who specialises in 3D assisted creations. The influence of replicas of contemporary artworks in the decision-making process through their values and interaction with the original amplifies the conservator’s feeling of responsibility.

Document type Article
Note In special issue: Conservation and Philosophy: Interactions and Intersections
Language English
Published at
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