Complexity as Design Material Position Paper

Open Access
Authors
  • Florian Windhager
  • Alfie Abdul-Rahman
  • Mark-Jan Bludau
  • Nicole Hengesbach
  • Houda Lamqaddam ORCID logo
  • Isabel Meirelles
  • Bettina Speckmann
  • Michael Correll
Publication date 2024
Book title 2024 IEEE Evaluation and Beyond - Methodological Approaches for Visualization : BELIV 2024
Book subtitle St. Pete Beach, Florida, 14 October 2024 : proceedings
ISBN
  • 9798331528478
ISBN (electronic)
  • 9798331528461
Event 2024 IEEE Evaluation and Beyond - Methodological Approaches for Visualization, BELIV 2024
Pages (from-to) 71-80
Number of pages 10
Publisher Los Alamitos, California: IEEE Computer Society
Organisations
  • Interfacultary Research - Institute for Logic, Language and Computation (ILLC)
Abstract

Complexity is often seen as a inherent negative in information design, with the job of the designer being to reduce or eliminate complexity, and with principles like Tufte's 'data-ink ratio' or 'chartjunk' to operationalize mimimalism and simplicity in visualizations. However, in this position paper, we call for a more expansive view of complexity as a design material, like color or texture or shape: an element of information design that can be used in many ways, many of which are beneficial to the goals of using data to understand the world around us. We describe complexity as a phenomenon that occurs not just in visual design but in every aspect of the sensemaking process, from data collection to interpretation. For each of these stages, we present examples of ways that these various forms of complexity can be used (or abused) in visualization design. We ultimately call on the visualization community to build a more nuanced view of complexity, to look for places to usefully integrate complexity in multiple stages of the design process, and, even when the goal is to reduce complexity, to look for the non-visual forms of complexity that may have otherwise been overlooked.

Document type Conference contribution
Language English
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