| Abstract |
This articles explores the introduction of sensiotics into the study of African/Diaspora arts. It discusses the relevance of sensiotics transcends discussions on aesthetics and the arts per se. It highlights the aesthetic/sensuous dimensions of all world making. It asks the consequences of the argument presented by Henry Drewal on the relevance of sensiotics. In addition, the article argues that people cannot withdraw themselves into the ultimate inarticulability of lived experiences through time.
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