Discoloration in Renaissance and Baroque Oil Paintings. Instructions for Painters, theoretical Concepts, and Scientific Data

Authors	M.H. van Eikema Hommes
Supervisors	E. van de Wetering
Cosupervisors	A. Wallert
Award date	22-02-2002
Number of pages	223
Organisations	Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR)
Document type	PhD thesis
Note	Cum laude. Research conducted at: Universiteit van Amsterdam
Language	English
Downloads	Thesis Cover Titlepage Contents Introduction A Proposal for the Classification of Painting Methods and Recipes Painter's Methods to Prevent Colour Changes Described in 16th to Early 18th Century Sources on Oil Painting Techniques Discoloration or Chiaroscuro? An Interpretation of the Dark Areas in Raphael's Transfiguration of Christ Verdigris Glazes in Historical Oil Paintings: Instructions and Techniques Indigo as a Pigment in Oil Painting and the Problem of its Fading Appendix List of Selected Documentary Sources Literature Figure Captions Nederlandse Samenvatting Dankwoord Cover
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