Discursive and aesthetic dimensions of pain and suffering Naqshbandîs and Qadirîs in the Kurdistan Region of Iraq
| Authors | |
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| Publication date | 2026 |
| Host editors |
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| Book title | Art, Aesthetics and Islamic Mysticism |
| Book subtitle | Contemporary Perspectives |
| ISBN |
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| ISBN (electronic) |
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| Series | Interdisciplinary Approaches to the Study of Mysticism |
| Pages (from-to) | 405-441 |
| Number of pages | 37 |
| Publisher | Cham: Palgrave Macmillan |
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| Abstract |
Sufi dhikr rituals often involve an intense and transgressive
sensory experience of the sacral, in particular when they include acts
of bodily mutilation. This performative use of sacred pain evokes
complex aesthetic sensations in the participants, as well as strong
reactions from outside observers. In general, dhikr rituals are
performed in closed and restricted spaces rather than in public; but, as
a result of the increasing opportunities for visibility created by
social media, they can be seen by wider audiences and can be, and have
been, fiercely contested. Over the years, these practices have been
condemned in various circles as vulgar and ostentatious, as primitive
and unbecoming of modern and civilized nations, and as un-Islamic. I
will explore these ritual performances and the intense synesthetic
experiences they evoke in both participants and outside observers in the
light of current discussions in post- and decolonial critique. These
tend to suffer from a somewhat narrow conception of colonialism that
focuses on modern and early modern (Western) European colonizing forces;
arguably, they stand to gain from including a wider geographical area
and a greater temporal depth. After some theoretical discussion, I will
discuss Sufi practices in the contemporary Kurdistan Region of Iraq. I
will argue, first, that these experiences are based on specific
discursive and non-discursive disciplining practices, and hence involve
complex forms of domination; this raises the question of where exactly
the boundary of ‘coloniality’ (and thus of decolonization) should be
drawn. I will then zoom in on contemporary polemics surrounding the
religious and aesthetic practices of Kurdish Sufis in post-Saddam Iraq.
Contemporary polemics surrounding this particular form of Sufi practice
suggest that local practicing Sufis today must reposition themselves not
only in relation to secular Kurdish nationalism, Arab domination, and
Salafist political Islam, but also in relation to issues of gender and
sexuality.
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| Document type | Chapter |
| Language | English |
| Published at |
https://doi.org/10.1007/978-3-032-09956-3_11
(Final published version)
|
| Downloads |
978-3-032-09956-3_11
(Embargo up to 2026-12-01)
(Final published version)
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