On the Idiosyncrasies of the Labour Market for Visual Artists Striking features, a formal model, and suggestions for further work

Open Access
Authors
Publication date 06-2019
Journal Labour: Review of Labour Economics and Industrial Relations
Volume | Issue number 33 | 2
Pages (from-to) 162-186
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
  • Faculty of Economics and Business (FEB) - Amsterdam School of Economics Research Institute (ASE-RI)
  • Faculty of Economics and Business (FEB)
  • Faculty of Economics and Business (FEB) - Amsterdam Business School Research Institute (ABS-RI)
Abstract
Labour markets for visual artists active on the primary art market are characterized by the oversupply of producers, strong product heterogeneity, elusive buyer tastes, and highly uncertain incomes. Self‐employment is the rule, and often, in combination with other (non)art‐related work. First, we describe these features and provide empirical evidence for the Netherlands. Second, we build an analytical model by adjusting the standard model of labour supply to allow for these features. Third, we provide further suggestions for empirical work focusing on career dynamics in markets with extreme uncertainty.
Document type Article
Language English
Published at https://doi.org/10.1111/labr.12140
Downloads
Hartog_et_al-2019-LABOUR (Final published version)
Permalink to this page
Back