Reactionary rhythm Quali-quantitative studies on 4chan/pol/

Open Access
Authors
Supervisors
Cosupervisors
Award date 25-06-2024
Number of pages 260
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
Abstract
Amidst a global resurgence of the far right, this dissertation studies 4chan’s /pol/ ‘Politically Incorrect’ board, one of the most notorious online spaces of the 2010s and 2020s. Whereas 4chan was previously associated with political ambivalence and democratic movements, /pol/’s toxicity became emblematic of shattered optimism surrounding participatory culture online and a ‘reactionary turn’ of Internet subcultures. Prompted by these developments, I interrogate the peculiar collectivity of this far-right space through six case studies. Centring around the question of what holds /pol/ together, I use a large data archive to empirically map its techno-cultural currents through innovative digital methods that think along with the anonymous and ephemeral design of imageboards. Doing so shines a light on key dynamics that have enabled and maintained /pol/’s reactionary character over the past ten years. Specifically, after mapping the general trends of the space, I show how the repetition-with-variation or ‘memecry’ of Internet memes anchors this far-right collective while also saving the group from stagnancy; how ‘panoramic’ memes provide the anonymous forum with a sense of unity by establishing populist us-them divisions and evoking reflexive debates on group boundaries; how vernacular terms that ‘spread outwards’ tether /pol/ to broader propagation patterns and imbue the board with a sense of viral influence; and how antagonism towards similarly subcultural groups forms a main method through which 4channers negotiate a collective identity. Together, these mechanisms and trends point to surprisingly consistent ‘reactionary rhythms’ within a medium that was previously framed as resilient to genuine hatred and ideological stability. Beyond these empirical insights, the dissertation demonstrates how to map and interrogate the often-dizzying flows of digital cultures through quali-quantitative and temporally sensitive methodologies. In doing so, it offers novel conceptual and methodological handles to the study of imageboards and related online spaces.
Document type PhD thesis
Language English
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