'American Psycho': a double portrait of serial yuppie Patrick Bateman
| Authors | |
|---|---|
| Publication date | 2003 |
| Journal | Post Script (Commerce) |
| Volume | Issue number | 22 | 3 |
| Pages (from-to) | 46-56 |
| Organisations |
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| Abstract |
Kooijman and Laine analyze Mary Harron's "American Psycho," a 2000 film adaptation of the 1980s satirical novel by Bret Easton Ellis in which Patrick Bateman, a narcissistic Wall Street young urban professional ("yuppie"), assumes an alternate identity as a serial killer. The authors examine the double personas of the Bateman character and in particular focus on how the film's depiction of Bateman reveals that his identity as a serial killer is a hallucinatory construction, which therefore suggests that his identity as a yuppie is a construction as well. Several scenes from "hitAmerican hitPsycho" are dissected, and psychoanalytic theory is applied to scenes where the schizophrenic Bateman character responds to his mirror image as a unifying force.
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| Document type | Article |
| Published at | http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:iipa:&rft_dat=xri:iipa:article:citation:iipa00279993 |
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