From image schema to metaphor in discourse: The FORCE schemas in animation films

Open Access
Authors
Publication date 2017
Host editors
  • B. Hampe
Book title Metaphor
Book subtitle Embodied Cognition and Discourse
ISBN
  • 9781107198333
ISBN (electronic)
  • 9781108195898
Pages (from-to) 239-256
Publisher Cambridge: Cambridge University Press
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam Center for Language and Communication (ACLC)
Abstract
Moving toward a place and manipulating objects are probably the most important manifestations of goal-oriented actions. Both SELFPROPELLED MOTION TOWARD A DESTINATION and MAKING AN OBJECT are thus profoundly embodied source domains for the metaphorical conceptualization of PURPOSIVE ACTIVITY. Of these metaphors, only the former – popularly known as LIFE IS A JOURNEY – has received a large amount of attention. Focusing especially on the role of the various FORCE schemas (Johnson 1987), this chapter investigates metaphors from both source domains in three short wordless animation films. Animation provides a perfect medium to express these metaphors in a condensed, aesthetically appealing, and emotion-generating manner. In line with Conceptual Metaphor Theory, it is argued that viewers’ understanding and appreciation of these metaphors critically depends on image schemas. Stressing that the body is the beginning but not the end of meaning-making, the chapter also shows that this understanding cannot be reduced to them and that cultural and contextual factors qualify and fine-tune embodied schemas.
Document type Chapter
Language English
Published at https://doi.org/10.1017/9781108182324.014
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