The Artful Hermit. Cardinal Odoardo Farnese's religious patronage and the spiritual maening of landsacpe around 1600

Thesis

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Titlepage

Contents

PREFACE

INTRODUCTION: THEORIES OF LANDSCAPE PAINTING

1. THE CAMERINO DEGLI EREMITI AND HERMIT-ICONOGRAPHY

2. ARCHITECTURE, DECORATION AND TYPOLOGY OF THE PALAZZETTO FARNESE

3. PATRONAGE, PROTECTORATE AND REGULAR REFORMS

4. THE CARDINAL'S RETREAT: FAMILY-TRADITION AND RELIGIOUS POLICY

5. GARDENS FOR THE SOUL

6. THE IMAGINARY, THE REAL AND THE EXEMPLARY HERMIT

7. LATER SEICENTO HERMITAGES

CONCLUSION

SAMENVATTING

APPENDIX

ABBREVIATIONS

BIBLIOGRAPHY

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