This research explores the seditious potential of hybrid Jewish figures in cinema, based on certain thinkers of post WWII
French philosophy, feminist and postcolonial theories, and traditional Jewish texts, which in different ways point to a reevaluation
of the "chameleon Jew" in positive terms.
While the films discussed in this project come from various places and periods
(from the 1920s to recent years), they all represent Jewish chameleon characters that are transformed into other identities.
Each film discussed here relates to another face of the Jewish chameleon and to different theoretical questions that are raised
by this figure.
The first chapter, "The Jewish Chameleon", is dedicated to Zelig as the quintessential chameleon Jew,
an incredibly multi-shaped Jewish figure which prefigures many of the Jewish characters that are discussed in the following
chapters. The second chapter, "The Jewish Chameleon in Nazi Cinema", deals with the appearance of the chameleon Jew in the
Nazi propaganda films. The third chapter, "The Jewish Nazi", explores the theme of Jewish figures who become (or pretend to
become) Nazis. The fourth and fifth chapters, "Muscle Jews in Diaspora Denial" and "Hassidism in the Wild West", explore the
image of the traditional Jewish man of the diaspora as a subject of cultural hybridity, gender ambiguity and Jewish interbreeding
with genre cinema. The final two chapters (six and seven), titled "Jewish Face, Black Mask" and "Jigga Jews", are dedicated
to Jewish chameleon figures that turned "black".