- Autoethnography as a New Approach in Conservation
- Studies in Conservation
- Volume | Issue number
- 61 | sup2
- Pages (from-to)
- Document type
- Faculty of Humanities (FGw)
- Amsterdam School for Heritage and Memory Studies (AHM)
This paper proposes autoethnography as a new approach for conservators. It allows for a process-based assessment that foregrounds the conservator’s personal input during conservation treatments and installation procedures. It addresses the cognitive processes that steer towards the desired result in a chain of micro-level decisions. Two examples relating to the work of conceptual artist Jan Dibbets illustrate the approach. One provides insight into the conservator’s deliberations during a conservation treatment, the other demonstrates the co-constructed nature of the artist interview as a negotiated text. These conservator’s testimonies include and enforce the reflexivity that is needed to remain critical, not only when managing complex artworks. The methodological approach of autoethnography enriches the conservation of cultural heritage in general.
- go to publisher's site
- LA Congress Preprints Modern Art
Stigter 2016, Autoethnography as a new approach in conservation, IIC LA (Embargo up to and including 19 September 2018)
If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library, or send a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.