- Brokering Sonic Modernities: migrant Manila musicians in the Asia Pacific, 1881-1948
- Popular Entertainment Studies
- Pages (from-to)
- Issue number
- Document type
- Faculty of Humanities (FGw)
- Amsterdam School for Cultural Analysis (ASCA)
In the second half of the 19th and in the beginning of the 20th century, the Asia Pacific region was inevitably entangled with early modern globalisation. In this article the author examines the spread of town bands and popular music in this period, and the ways in which both the bands and their music were intertwined with the modernist aspirations of the urban capitals, from Manila and into the Asia Pacific region. The role of the Manila musicians as crucial cultural mediators in this sonic modernisation project is closely examined. Looking into biographies, historical newspapers, and surviving archival documents, the author surveys some general patterns and specific narratives in the various replications of modernities, through the movement of sounds and ideas instigated by the migrant Manila musicians. In particular, the case of the Sta. Cecilia Band in Singapore between 1892 and 1910 is analysed.
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