Over the past decades, the poetry performance has developed into an increasingly popular, diverse, and complex art form. In
theoretical and critical discourse, it is referred to as performance poetry, spoken word poetry, and polipoesía; some theorists
argue that it is an independent poetic genre, others treat it as a contemporary manifestation of oral poetry or of the poetry
recital. The essays collected in this volume take up the challenge that the poetry performance poses to literary theory. Coming
from a variety of disciplines, including Literary Studies, Theater Studies, and Area Studies, contributors develop new approaches
and analytical categories for the poetry performance. They draw on case studies from a variety of contexts and in several
languages, including Brazilian Portuguese, Dutch, Catalan, English, French, Galician, and Spanish. Essays are organized in
three sections, which focus on critical and theoretical approaches to the poetry performance, on the mediatic hybridity of
this art form, and on the ways in which the poetry performance negotiates locatedness through engagements with space and place.
The structure of the volume intersperses essays on theory and analysis with self-reflexive essays from performance poets on
their own performance practice.