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Honing, H., & Desain, P. (1994). Foot-tapping: a brief introduction to beat induction. Proceedings of the 1994 International Computer Music Conference, 20, 78-79.
Honing, H. (2013). Structure and interpretation of rhythm in music. In D. Deutsch (Ed.), The Psychology of Music (3 ed., pp. 369-404). Amsterdam: Elsevier Academic Press. DOI: 10.1016/B978-0-12-381460-9.00009-2
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Desain, P., & Honing, H. (1999). Modeling vibrato and portamento in music performance. Bulletin of the Council for Research in Music Education.
Honing, H., Desain, P., & Sadakata, M. (2004). An analysis of rhythmic ratios in scores of various kinds of music. In Ashley, R, & Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC) Evanston: Northwestern University.
Honing, H. (2012). Without it no music: Beat induction as a fundamental musical trait. Annals of the New York Academy of Sciences, 1252(1), 85-91. DOI: 10.1111/j.1749-6632.2011.06402.x
Honing, H., van Rijn, T., Jongsma, M. A., & Desain, P. (2002). Aep p300 modulation by two different temporal contexts in both rhythmically trained and nontrained subjects. Journal of Cognitive Neuroscience, A94.
Honing, H. (2005). Is there a perception-based alternative to kinematic models of tempo rubato? Music Perception, 23(1), 79-85. DOI: 10.1525/mp.2005.23.1.79
Honing, H. (2006). On the growing role of observation, formalization and experimental method in musicology. Empirical Musicology Review, 1(1), 2-5.