Honing, H. (2003). Some comments on the relation between music and motion. Music Theory Online, 9(1).
Desain, P., Honing, H., Thienen, H., & Windsor, W. L. (1998). Computational modeling of music cognition: problem or solution? Music Perception, 16(1), 151-166.
Honing, H., & Desain, P. (1994). Advanced issues in beat induction modeling: syncopation, tempo and timing. Proceedings of the 1994 International Computer Music Conference, 20, 92-94.
Heijink, H., Desain, P., Honing, H., & Windsor, W. L. (2000). Make me a match: an evaluation of different approaches to score-performance macthing. Computer Music Journal, 24(1), 43-56. DOI: 10.1162/014892600559173
Honing, H. (2001). From time to time: The representation of timing and tempo. Computer Music Journal, 35(3), 50-61.
Honing, H., & Desain, P. (1994). Can music cognition benefit from computer music research? From foot-tapper systems to beat induction models. Proceedings of the ICMPC 1994, 3, 397-398.
Honing, H., van Rijn, T., Coenen, T., Jenks, K., & Desain, P. (2002). Omission evoked potentials (OEPS) in rhythmically trained and non-trained subjects. Journal of Cognitive Neuroscience, B90.
Honing, H. (2004). The comeback of systematic musicology: new empiricism and the cognitive revolution. Dutch Journal of Music Theory, 9(3), 241-244.
Honing, H. (2003). The final ritard: on music, motion, and kinematic models. Computer Music Journal, 27(3), 66-72. DOI: 10.1162/014892603322482538
Honing, H., & Desain, P. (1994). Rule-based models of initial beat induction and an analysis of their behaviour. Proceedings of the 1994 International Computer Music Conference, 20, 80-82.