Query:
entire record: "pisters"
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| 1 |
 | Chapter: Logistics of perception 2.0: multiple screen aesthetics in Iraq War films
P. Pisters
in: Images et éthique: actes du colloque, 4-5 décembre 2008
, p. 65-80
|
| 2 |
| Chapter: Une temporalité de Tanger: histoire, mémoire et le temps postcolonial dans l'archive audiovisuelle
P. Pisters
in: Villes d'échange(s): Maghreb - Europe: actes de colloque, Amsterdam 2008
, p. 101-110
|
| 3 |
| Chapter: The fifth element and the fifth dimension of the affection-image
P.P.R.W. Pisters
in: Cinema Studies into Visual Theory? D-vision Yearbook vol.1 School of Art, Literature and Music
, p. 93-101
|
| 4 |
 | Dissertation: Wonder girls: Undercurrents of resistance in the representation of teenage girls in 1980s American cinema
M.C. Wilkinson
(2013), p. 256
|
| 5 |
| Book editorial: Revisiting normativity with Deleuze
R. Braidotti, P. Pisters
(2012), p. 238
|
| 6 |
| Dissertation: The urban veil: image politics in media culture and contemporary art
A. Fournier
(2012), p. 263
|
| 7 |
| Dissertation: Cine-aesthetics: a critique of judgment after Deleuze and Michaux
J.W. Hetrick
(2012), p. 264
|
| 8 |
| Dissertation: The meaning of resistance: Hezbollah’s media strategies and the articulation of a people
W. el Houri
(2012), p. xiii, 227
|
| 9 |
| Article: Introduction: The smooth and the striated
F. Lysen, P. Pisters
in: Deleuze Studies, Vol. 6
(2012), p. 1-5
|
| 10 |
| Chapter: Form, punch, caress: Johan van der Keuken's global Amsterdam
P. Pisters
in: Imagining global Amsterdam: history, culture, and geography in a world city
(2012), p. 125-141
|
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