The UvA-LINKER will give you a range of other options to find the full text of a publication (including a direct link to the full-text if it is located on another database on the internet).
De UvA-LINKER biedt mogelijkheden om een publicatie elders te vinden (inclusief een directe link naar de publicatie online als deze beschikbaar is in een database op het internet).
 Embargo until September 11 2014
 Embargo tot 11 september 2014
 Embargo until September 11 2014
 Embargo tot 11 september 2014
 Embargo until September 11 2014
 Embargo tot 11 september 2014
 Embargo until September 11 2014
 Embargo tot 11 september 2014
 Embargo until September 11 2014
 Embargo tot 11 september 2014
 Embargo until September 11 2014
 Embargo tot 11 september 2014
 Embargo until September 11 2014
 Embargo tot 11 september 2014
 Embargo until September 11 2014
 Embargo tot 11 september 2014
 Embargo until September 11 2014
 Embargo tot 11 september 2014
 Embargo until September 11 2014
 Embargo tot 11 september 2014

Search results

Query: faculty: "FGw" and publication year: "2012"

AuthorP. Hesselberth
TitleCinematic chronotopes: affective encounters in space-time
PromotorT.E. Elsaesser
Co-promotorU. Ekman
Date11-9-2012
Year2012
Pages187
FacultyFaculty of Humanities
Institute/dept.FGw: Amsterdam School for Cultural Analysis (ASCA)
Keywordscinematic time &; space; deixis; affect; expanded cinematics; handheld aesthetics; flash forward; puzzle films; multi-media exhibition; urban screens; Andy Warhol; Rafael Lozano-Hemmer; David Rokeby; Zusje (Westdijk 1998); Idioterne (von Trier '98); Rosetta (Dardenne 1998)
AbstractThis study makes a case for analyzing the chronotopes of the cinematic as affective encounters in space-time. It argues that, while the site of cinema is on the move, the extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of a “here,” a “now,” and a “me” that they convey. This intensification, this thesis suggests, is fundamentally rooted in the cinematic’s potential to intensify our experience of time, to convey time’s thickening, of which the sense of space or place, and a sense of self or self-presence are the correlatives. This study traces this thickening of time across four different spatio-temporal configurations of the cinematic that have traditionally been conceived as different from, or even antagonistic to, each other: a multi-media exhibition featuring the early avant-garde films of Andy Warhol in chapter one; the handheld aesthetics of European art-house films in chapter two; a large-scale interactive media installation set-up in public space in chapter three; and the usage of the trope of the flash-forward in mainstream Hollywood cinema in the Coda. Only by juxtaposing these cases by looking at what they have in common, i.e. intensified thickening of time that they share, can we grasp the complexity of the changes that the cinematic is currently undergoing.
LanguageEnglish
Document typeDissertation
Download papers
  • Thesis  
  •  
  • Cover
  • Title pages
  • Table of contents
  • List of images  
  • Acknowledgments  
  • Introduction / The site of cinema  
  • HERE - locating the cinematic  
  • NOW - navigating cinematic time  
  • ME - situating cinematic presence  
  • Coda - flash forward  
  • Endnotes  
  • Bibliography  
  • Summary
  • Samenvatting
Document finderUvA-Linker