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Query: author: "bal,m.g."
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| 151 |  | Chapter: Semiotics and Art History: A Discussion of Context and Senders M.G. Bal, N. Bryson in: The Art of Art History: A Critical Anthology (1998), p. 242-256 |
| 152 | | Chapter: Semiotics as a Theory of Art M.G. Bal, N. Bryson in: Encyclopedia of aesthetics. Vol. 4 (1998), p. 231-267 |
| 153 | | Article: Semiotics as a Theory of Art M.G. Bal, N. Bryson in: Encyclopedia of Esthetics, Vol. 4 (1998), p. 263-267 |
| 154 | | Chapter: Space, Inc. M.G. Bal (1998), p. 199-256 |
| 155 | | Chapter: Space, Inc., M.G. Bal in: Signs & Space / Raum & Zeichen, Proceedings of International Conference on the Semiotics of Space and Culture in Amsterdam (1998), p. 199-223 |
| 156 | | Chapter: Telling Objects: A Narrative Perspective on Collecting M.G. Bal in: The Cultures of Collecting (1998), p. 123-145 |
| 157 | | Article: Túl a szó-kép oppozíción (an adaptation of Ch. 1 of Reading "Rembrandt": Beyond the Word-Image Opposition) M.G. Bal in: Enigma, Vol. 14/15 (1998), p. 132-164 |
| 158 | | Article: Documenta X: le parcours M.G. Bal in: Omnibus, Vol. oct. (1997), p. 8-40 |
| 159 | | Chapter: Een jongetje van zes en een plaatje van een moeder M.G. Bal in: Liber amicarum: over kunst, literatuur en filosofie (1997), p. 96-107 |
| 160 | | Book: Images littéraires, ou comment lire visuellement Proust M.G. Bal, A. Milne (1997), 223 p. |