Search results
Query: author: "bal,m.g."
previous
141 to 150 of 363
1
11
21
31
41
51
61
71
81
91
101
111
121
131
141
151
161
171
181
191
201
211
221
231
241
251
261
271
281
291
301
311
321
331
341
351
361
| 141 |  | Article: Narrative and the Visual and Literary Arts M.G. Bal in: Encyclopedia of Aesthetics, Vol. 3 (1998), p. 328-331 |
| 142 | | Chapter: Quoting Caravaggio M.G. Bal in: Center 18: Record of Activities and Research Reports, June 1997-May 1998 (1998), p. 45-48 |
| 143 | | Chapter: Reading Bathsheba: from master codes to misfits M.G. Bal in: Rembrandt's "Bathsheba reading King David's letter" (1998), p. 119-146 |
| 144 | | Book: Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie M.G. Bal, S.F. Rust (1998), 223 p. |
| 145 | | Book: Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie M.G. Bal (1998) |
| 146 | | Book: Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie M.G. Bal (1998), 223 p. |
| 147 | | Chapter: Seeing signs: the use of semiotics for the understanding of visual art M.G. Bal in: The subjects of art history: historical objects in contemporary perspectives (1998), p. 74-93 |
| 148 | | Chapter: Seeing Signs: The Use of Semiotics for the Understanding of Visual Art M.G. Bal in: The Subjects of Art History: Historical Objects in Contemporary Perspectives (1998), p. 74-93 |
| 149 | | Chapter: Seeing Signs: The use of Semiotics for the Understanding of Visual Art. M.G. Bal in: The Subjects of Art History: Historical Objects in Contemporary Perspectives (1998), p. 74-93 |
| 150 | | Chapter: Semiotics and art history: a discussion of context and senders M.G. Bal in: The art of art history: a critical anthology (1998), p. 242-256 |