| 1 |
| Dissertation: Imitation and innovation: Dutch genre painting 1680-1750 and its reception of the Golden Age
J. Aono
(2011), p. 312
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| 2 |
| Article: Ennobling daily life: a question of refinement in early eighteenth-century Dutch genre painting
J. Aono
in: Simiolus, Vol. 33
(2009), p. 237-257
|
| 3 |
| Article: Reproducing the Golden Age: Copies after Seventeenth-Century Dutch Genre Painting in the First Half of the Eighteenth Century
J. Aono
in: Oud Holland, Vol. 121
(2008), p. 1-34
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| 4 |
| Article: 'Enchanted by a Woman Scrubbing a Kettle. A Study on the Pictorial Tradition of 17th- and Early 19th-century Dutch Genre Painting'
J. Aono
in: The National Art Center, Tokyo, News, Vol. 4
(2007), p. 3-4
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| 5 |
| Chapter: Bijdragen
J. Aono
in: Exhibition Catalogue, Milkmaid by Vermeer and Dutch Genre Painting - Masterworks from the Rijksmuseum Amsterdam
(2007), p. 33
|
| 6 |
| Chapter: 'Looking back to the Dutch Golden Age. Early eighteenth-century painting by Willem van Mieris'
J. Aono
in: Holland nach Rembrandt. Zur niederländischen Kunst zwischen 1670 und 1750
(2006), p. 225-246
|
| 7 |
| Article: 'The "decline" of the Golden Age? Reconsidering Dutch Genre Painting between 1680-1750'
J. Aono
in: Japan-Netherlands Newsletter, Vol. 118
(2006), p. 1-3
|
| 8 |
| Chapter: 'Willem van Mieris, Armida bindt de slapende Rinaldo, 1709', 'Willem van Mieris, Een keukenmeid en een visverkoper in een venster, 1713', 'Willem van Mieris, Kruidenierswinkel, 1717' and 'Carel de Moor, Jonge vrouw met een vis in een venster'
J. Aono
in: De Kroon op het Werk. Hollandse Schilderkunst 1670-1750 [Exhibition Catalogue]
(2006), p. 202-207-212-213
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| 9 |
| Chapter: The shop painting of Willem van Mieris (1662-1747): inheritance and innovation of seventeenth-century Dutch genre painting (in Japanese)
J. Aono
in: Studies in Art: Annual Report 2003. The Kajima Foundation for the Arts
(2004), p. 172-
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